The Epistemology of Air: Musicing through Evolving Perspectives (researcher: Jonathan Chazan)

The research I propose investigates the transformative potential of Sculpting Air, a methodology that redefines tone production, flow control, and advanced fingerings for wind instruments. Rooted in years of artistic exploration and four years of quantified research , this methodology offers a cohesive framework, primarily for the saxophone but potentially applicable to all wind instruments. By emphasizing airflow manipulation as a central element of musical expression, Sculpting Air challenges traditional approaches to sound production and extended techniques, offering a fresh perspective on the relationship between performer, instrument, and sound. The primary objective of my research is to explore how Sculpting Air facilitates epistemological shifts in musical practice, collaboration, and creativity. This includes examining its influence on the performer’s evolving relationship with their instrument, the creative process, and the dynamics of collaboration with composers and other musicians. My work aims to examine: 

• How does the methodology of Sculpting Air provoke epistemological shifts in musical practice? 

• How do these shifts influence collaborative and individual creative processes? 

• How do these changes manifest in performance? Building on the premise that evolving practices are an inherent aspect of artistic processes, this research also seeks to uncover the nature of change in musical discourse. While such changes often unfold gradually, Sculpting Air introduces shifts that can be directly observed and harnessed. My secondary objective is to examine the layers and degrees of these changes, addressing questions such as: 

• What constitutes a musical change of mind?

• Is “change” a singular event, or does it encompass multiple layers? 

• How do varying degrees of change influence internal and external artistic experiences? 

By situating Sculpting Air’s transformative potential and insights within a broader framework, I aim to emphasize the ever-evolving nature of musical thought and creation. A deeper understanding of these processes can support not only the refinement of musicianship and the enhancement of musical expression but also the ongoing learning and reimagining essential to the artistic journey.